Tag: writing

  • Vote For My Short Story

    I entered a short story in a contest that relies on votes. Please read the story and vote for me. Enjoy!

  • Another Update from Cantara

    Though it’s still not clear exactly what’s going on, my publisher Cantara Christopher has sent me a couple of updates that she asked me to repost here. One development is that she has retained a New York lawyer, so she should soon have more of a handle on what the actual lawsuit is about and hopefully will have access to her bank accounts again. Here’s the latest message I got from her. Most of what’s new info here is just further evidence of Gill’s general fishiness.

    One of our authors just sent me PDF attachments of documents related to North Eagle Corporation. North Eagle, you’ll recall, is the non-profit organization which publishes the North Atlantic Review, a literary annual. President of North Eagle and publisher of the Review is John Edward Gill, a former author of Cantarabooks, who I learned two weeks ago managed to illegally seize not only my company’s bank account but my personal joint checking account and the personal checking sole account of Cantarabooks’ editor, Michael, who is my domestic partner but is in absolutely no way an officer, investor or employee of my company.

    – Annual Financial Report of a Charitable Organization (for 2006 and 2007)
    – Short Form Return of an Organization Exempt from Income Tax (for 2006)

    I read the documents and recognized the name of the accountant. This is the accountant Gill offered to pay to do the taxes for Cantarabooks. He even offered to put Michael and me up in a fancy hotel in Stony Brook while the accountant worked on them. After about a month he dropped that idea. Never found out why.
     
    The reports and return show not much activity, not much expenditure.

    Gill is listed as a professor of English at Suffolk Community College. Community college instructors are not known to make a lot of money – yet Gill’s home address is in an upper-class area of Stony Brook.

    His home address is also listed as the address for North Eagle Corporation and his other nonprofit, Children’s Rights of New York, Inc.

    When I started my business John urged me to apply for nonprofit status and seemed mightily disappointed when I didn’t. I had absolutely no desire to apply for nonprofit status for Cantarabooks. I wonder how he would have tried to get his hooks into my company had I gone the 501(c)3 route.

    Because we were never at any point served papers informing us of a judgment or even a lawsuit, I spent a frustrating two weeks trying to understand Gill’s complaint toward me. Was it defamation, for example, or did he think I failed to fulfill my part of his book contract?

    But another one of our authors gave me some good advice. He said, “Follow the money.” Because what it came down to, simply, is that Gill is on the swindling side of the business world and I was the most available mark. It had nothing to do with a breach in good faith and absolutely nothing to do with literature.

    It shocks me to realize that one of my other authors, Stephen Gyllenhaal, was also being sized up by Gill, who asked me at one time, point-blank, if “Stephen would be interested in putting money in my [meaning Gill’s] company”.

    Another near-mark, I’m sickened to realize, is a writer acquaintance, mutual to Gill and me who lives in Greenwich. When her husband died two years ago he came calling with flowers, invitations to dinner, offers to make her paid senior editor of the North Atlantic Review… This woman is a rather gentle character and not given to think the worst of people – but when Gill came around so soon after her husband’s death she was appalled and sent him away.
     
    How I got to meet Gill was through the CLMP and the Small Press Center (now the New York Center for Independent Publishing), but at this time neither organization wants to touch this story with a ten-foot pole, which is understandable.
     
    How Stephen got mixed up in all this is that he employed a well-known, well-respected writer’s service in New Jersey to send around his work, and North Atlantic Review was on their list of publications. There’s been no comment from them either.

    Incidentally, by a strange coincidence, right before Michael and I went down to LA I got a hold of the first chapters of Clifford Irving’s new unpublished novel and struck up an acquaintance with him. He phoned me while we were having lunch with one of our authors so I owe Clifford a call back. Maybe I’ll email him about this whole thing, see what he says, if anything.

    – Cantara

  • Another Update from Cantara

    [reposted from my Billy Wayne Carter blog]

    Though it’s still not clear exactly what’s going on, my publisher Cantara Christopher has sent me a couple of updates that she asked me to repost here. One development is that she has retained a New York lawyer, so she should soon have more of a handle on what the actual lawsuit is about and hopefully will have access to her bank accounts again. Here’s the latest message I got from her. Most of what’s new info here is just further evidence of Gill’s general fishiness.

    One of our authors just sent me PDF attachments of documents related to North Eagle Corporation. North Eagle, you’ll recall, is the non-profit organization which publishes the North Atlantic Review, a literary annual. President of North Eagle and publisher of the Review is John Edward Gill, a former author of Cantarabooks, who I learned two weeks ago managed to illegally seize not only my company’s bank account but my personal joint checking account and the personal checking sole account of Cantarabooks’ editor, Michael, who is my domestic partner but is in absolutely no way an officer, investor or employee of my company.

    – Annual Financial Report of a Charitable Organization (for 2006 and 2007)
    – Short Form Return of an Organization Exempt from Income Tax (for 2006)

    I read the documents and recognized the name of the accountant. This is the accountant Gill offered to pay to do the taxes for Cantarabooks. He even offered to put Michael and me up in a fancy hotel in Stony Brook while the accountant worked on them. After about a month he dropped that idea. Never found out why.
     
    The reports and return show not much activity, not much expenditure.

    Gill is listed as a professor of English at Suffolk Community College. Community college instructors are not known to make a lot of money – yet Gill’s home address is in an upper-class area of Stony Brook.

    His home address is also listed as the address for North Eagle Corporation and his other nonprofit, Children’s Rights of New York, Inc.

    When I started my business John urged me to apply for nonprofit status and seemed mightily disappointed when I didn’t. I had absolutely no desire to apply for nonprofit status for Cantarabooks. I wonder how he would have tried to get his hooks into my company had I gone the 501(c)3 route.

    Because we were never at any point served papers informing us of a judgment or even a lawsuit, I spent a frustrating two weeks trying to understand Gill’s complaint toward me. Was it defamation, for example, or did he think I failed to fulfill my part of his book contract?

    But another one of our authors gave me some good advice. He said, “Follow the money.” Because what it came down to, simply, is that Gill is on the swindling side of the business world and I was the most available mark. It had nothing to do with a breach in good faith and absolutely nothing to do with literature.

    It shocks me to realize that one of my other authors, Stephen Gyllenhaal, was also being sized up by Gill, who asked me at one time, point-blank, if “Stephen would be interested in putting money in my [meaning Gill’s] company”.

    Another near-mark, I’m sickened to realize, is a writer acquaintance, mutual to Gill and me who lives in Greenwich. When her husband died two years ago he came calling with flowers, invitations to dinner, offers to make her paid senior editor of the North Atlantic Review… This woman is a rather gentle character and not given to think the worst of people – but when Gill came around so soon after her husband’s death she was appalled and sent him away.
     
    How I got to meet Gill was through the CLMP and the Small Press Center (now the New York Center for Independent Publishing), but at this time neither organization wants to touch this story with a ten-foot pole, which is understandable.
     
    How Stephen got mixed up in all this is that he employed a well-known, well-respected writer’s service in New Jersey to send around his work, and North Atlantic Review was on their list of publications. There’s been no comment from them either.

    Incidentally, by a strange coincidence, right before Michael and I went down to LA I got a hold of the first chapters of Clifford Irving’s new unpublished novel and struck up an acquaintance with him. He phoned me while we were having lunch with one of our authors so I owe Clifford a call back. Maybe I’ll email him about this whole thing, see what he says, if anything.

    – Cantara

  • Who Is John Edward Gill?

    As of this morning, Mr. Gill has not responded to my message yesterday. My publisher still has not seen the lawsuit and doesn’t know how Mr. Gill has siezed her personal assets as well as those of Cantarabooks.

    A couple of interesting things to note just from digging around. On his website, he claims that his book Sacred Hearts was nominated for a Hemingway/PEN award. But of course, anyone can nominate a book for that award; however, one requirement for eligibility is that the book NOT be self-published.

    The publisher for Sacred Hearts is Steel Press Publishing, based in Pittsburgh. There’s very little information publicly available about this company, but it’s website and email address are always listed as Gill’s website and email address. I called the number I found for the company, and it was disconnected. Orders for the book are placed through Gill’s non-profit organization, Children’s Rights of New York (based in Stony Brook, NY, and not to be confused with the better known Children’s Rights organization based in NYC). Is this organization even legitimate? Is there really such a company as Steel Press Publishing? it may be that they went out of business since 2003 when Sacred Hearts was published.

    I still have no idea what to think about all this yet.

  • Who Is John Edward Gill?

    As of this morning, Mr. Gill has not responded to my message yesterday. My publisher still has not seen the lawsuit and doesn’t know how Mr. Gill has siezed her personal assets as well as those of Cantarabooks.

    A couple of interesting things to note just from digging around. On his website, he claims that his book Sacred Hearts was nominated for a Hemingway/PEN award. But of course, anyone can nominate a book for that award; however, one requirement for eligibility is that the book NOT be self-published.

    The publisher for Sacred Hearts is Steel Press Publishing, based in Pittsburgh. There’s very little information publicly available about this company, but it’s website and email address are always listed as Gill’s website and email address. I called the number I found for the company, and it was disconnected. Orders for the book are placed through Gill’s non-profit organization, Children’s Rights of New York (based in Stony Brook, NY, and not to be confused with the better known Children’s Rights organization based in NYC). Is this organization even legitimate? Is there really such a company as Steel Press Publishing? it may be that they went out of business since 2003 when Sacred Hearts was published.

    I still have no idea what to think about all this yet.

  • More Thoughts on Cantarabooks’ Problems

    Regrettably, my initial post about my publisher’s legal issues was very emotion-driven and one-sided. Of course, my relationship with Cantarabooks has been and remains cordial, but I decided today that I should try and contact John Edward Gill to see if I could get the other side of the story out of him. After all, his web site is that of a serious person and not one who should seem absurdly vindictive or frivolous. And it seems like it should be easy enough to get in touch with him.

    So I sent him an email, and we’ll see what happens.

    In the interest of full disclosure, this is the message I just sent him.

    Mr. Gill,

    I’ve come to understand that you are undergoing some legal complaint against Cantara Christopher and/or her publishing company Cantarabooks. I am also a Cantarabooks author, and although my interactions with the company have been professional and on the up and up, so far as I can tell, I wondered what the nature of your complaint is and if it is something other authors represented by their imprint might need to be concerned about.

    Yours,

    David Hornbuckle

  • More Thoughts on Cantarabooks’ Problems

    Reposted from my Billy Wayne Carter blog.

    Regrettably, my initial post about my publisher’s legal issues was very emotion-driven and one-sided. Of course, my relationship with Cantarabooks has been and remains cordial, but I decided today that I should try and contact John Edward Gill to see if I could get the other side of the story out of him. After all, his web site is that of a serious person and not one who should seem absurdly vindictive or frivolous. And it seems like it should be easy enough to get in touch with him.

    So I sent him an email, and we’ll see what happens.

    In the interest of full disclosure, this is the message I just sent him.

    Mr. Gill,

    I’ve come to understand that you are undergoing some legal complaint against Cantara Christopher and/or her publishing company Cantarabooks. I am also a Cantarabooks author, and although my interactions with the company have been professional and on the up and up, so far as I can tell, I wondered what the nature of your complaint is and if it is something other authors represented by their imprint might need to be concerned about.

    Yours,

    David Hornbuckle

  • Plans and Brainstorms

    This is mainly a note for my own use, but I’m leaving it public because I welcome the feedback of my illustrious fans and friends. It’s a little early for New Year’s resolutions, but I’m trying to get all my various projects and ideas plotted out for 2009.

    Writing: So essentially, all these projects are in progress already. And I just need to set aside a little time each day for each one, or at least plan to work on at least one of them every day. Lately, I’ve been slacking off..

    1. First order of business is to try and get my novel manuscript Zen, Mississippi published. If I can’t manage to get a deal by, say, early spring, I’m probably going to publish it myself just to get it off my desk and out into the world.
    2. Second is continued work on my as-yet-unnamed new novel.
    3. Then I have the a series of related short stories, tentatively titled Still Life with Infidels. Several stories from the collection are complete, and most of those have been published in various places (such as here and  here). I have a few more I still have to write.
    4. I’m also building a separate collection of unrelated short stories. No title yet. Some published. Others not yet published. Still more not yet written.

    I have another idea for a book, but it’s going to have to wait. Four books is enough to work on at one time. And that’s not counting the stuff I’m working on with Jennifer Blowdryer, which may eventually turn into either a book or a documentary film.

    Bands/Music:

    1. Dixieland Space Orchestra. That band has been on hiatus since, I think September. I want to write some new arrangements, maybe even write some new songs, and definitely refocus the direction and overall sound of the band. I haven’t really started on any of that except some brainstorms about the new sound. Essentially, I want it to be less rock and more Dixieland/avant garde. The rock element has been creeping up. I think I’d also like to do some actual traditional Dixieland songs with our own spin. I think that will help to establish the direction that I’m thinking about.
    2. Gutter & Spine, the indie rock band that I play guitar/drums for. That band should plan on recording a second album next year.
    3. Some friends and I have talked about starting a hardcore band, writing all new material. I’d like to do this. I think we probably should just get together and do it–see what we can get done in a rehearsal or two. Need to write or dig up some lyrics to bring in. I have a couple that we can start off with.
    4. Finally, an idea I had this morning–probably a very dumb idea, and it would only work if we planned to have very limited engagements. Just the Way You Aren’t — hardcore covers of Billy Joel songs. A little something like this cover of Big Shot that my old band Eurotoaster did.
  • Should I Self-Publish My Next Book?

    You all know about my e-book novella, the Salvation of Billy Wayne Carter, which you can buy here. I have another finished novel titled, Zen, Mississippi, which I’ve been trying to get published for about the past year. Every agent that reads it basically says, “I like the writing. You’re a really good writer. I can’t sell this. But definitely send me your next book.”

    Well, if they couldn’t sell it then, it seems damn unlikely that anyone could sell it now with the entire mainstream publishing industry essentially facing Armageddon. It was already a difficult business, but this week alone, there were layoffs at Houghton Miffllin and Simon & Schuster, a major shakeup at Random House, and a payment freeze at Penguin. There were also layoffs at Scholastic and Borders recently. So if everything is going to shit anyway, why not take some control and just publish the damn thing myself?

    Thoughts?

    Generally, self-publishing is looked down upon by the ivory tower elites who hold the reigns of power in that business. It’s harder to get reviews. It’s harder to get distribution. And there’s a general stigma that if you are publishing something yourself, you’ve already failed at the more traditional route. I’m not quite willing to concede failure, but it seems like it might be a while before the industry straightens itself out enough to take what I do seriously. By then, I’ll have another book ready for them. I really want to do something with this book RIGHT NOW. Or soon at least. I’m getting impatient, and I’m addicted to instant gratification (among other things).

    Moreover, the hurdles of reviews and distribution are much more easily overcome than they used to be with the rise of Print-on-Demand publishing, Amazon, and other resources available on the web. And even if you get a book deal with a major house, there’s a good chance that you will still have to do most of your own publicity. So I don’t know. Anybody have any advice for me?